青年男子阿尔贝（瑟玛尔·侯奴CemalHunal饰）是一家餐厅的老板，有着很好的工作，事业成功，却过着离群索居的生活。他每天和不同的女人做爱，付她们钱，却从不留任何人过夜。他这样自由而孤独地生活着，自由却寂寞。直到他在二手书店邂逅了美丽的女子艾达（梅莉丝·柏坎MelisBirkan饰）。他对艾达一见钟情，并对她展开了热烈的追求。艾达自己经营着一家创意服装店，她从一开始就知道以阿尔贝这样的性格他们注定是分离的结局，但还是难以抵抗他迷人的魅力，与他陷入爱河。习惯了独住的阿尔贝一直无法舍弃自由的生活方式，难以完全溶入艾达，纵然她开朗、迷人，宛如天使。他挣扎，茫然，不知道该如何处理两人之间的关系......©豆ddd

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In1954Vietnam,atthetimeofDiênBiênPhu,aFrenchunitonpatrolunderthecommandofaninexperiencedlieutenantisgraduallydepletedbyVietminhuntilonlyanex-WehrmachtAlsatianadjutantremains.Heistodie,atitleinformsus,inAlgeriain1960. Semi-documentaryinstyle,thisisaneffectivelylow-keyappraisalofthedifficultchoiceswithwhichwarconfrontsitssoldiers.AssoofteninVietnamfilmstheenemyisonlyglimpsedfromadistance,thecameraremainingadisembodiedobserveramongthegroup.BertrandTavernieractedasco-writeronthefilmddd

Thestoryappearssimpleonthesurface,butisrevealed,especiallyaftermultipleviewings,asmoremulti-layeredandtexturedthanCassavetesathisbest.Ostensiblyitconcernsa14-yearoldCatholicgirl,Wynne(Agutter)growingupinthispost-modernwasteland,whodevelopsacrushonhermucholderadoptivebrother(Marshall)-acrushwhichperverselydeepensandgrowsintoinfatuationonceshestartstobelieveheisthelocalsexkiller.Thisisinitselfanideathatmakesyousitupandjolt,butasthenarrativedevelops,itcontinuesnotnecessarilyalongalinearpathbutinseveralconfusingandfascinatingdirections:thefamily'shistory,(detailedeffectivelyinchillingflashbackduringanimprovisedseance)isachequeredone,andhassufferedatleastonemajorrelocationandupheavalinthelasttenyears. Atthecrux,however,it'sthedepictionofsocialalchangesthatmakeIStartCountingsofascinatingandelevateitslanguagefarbeyondtheconfinesofthestandardhorrorfilm.Themajorsubtext-thatteenagegirlswerematuringmorequicklythanbefore,anddevelopingfullsexualandromanticappetites(evenifinthoughtratherthandeed)butwerenotpossessedofenoughdiscretiontomaketherightchoices-wasastepforwardforagenreinwhichitsyoungfemaleshadpreviouslybeenportrayedasbimbovictims(CoverGirlKillerandTheNightCallerspringtomind),butnotonethatallviewerswouldnecessarilyagreewith. Butmoststrikingofall,andpossiblythemostenduringimagewhichtheviewerwilltakeawaywiththem,isofthemasterfulsymbolismwithwhichdirectorGreeneinvestseveryshot.EveryinchoftheKinchfamily'sworld-theirhouse,theirwalls,theirTV,Aguttersunderwear,bedroomfurnitureandtoys,Sutcliffe'sclothes,Marshallsvan,thelocalCatholicchurch,theirtowncentre,theirrecordshop)-ispaintedabright,scintillatingwhite-awhitewhich,byinference,isslowlybecomingsmudgedandcorruptedwiththedirtoftheoutsideworld.Whitealsosymbolises,ofcourse,purityandinnocence(twoqualitiesCatholicschoolgirlsaresupposedtoholddear),anditisintothisworldofinnocencethattheever-presentredbus(asymbolofviolationandpenetration),conductedbythelecherousyetsimilarlyjuvenileSimonWard,makesregularjourneys.TheallegoryisfurtherexpandedinonescenewhereAgutterbelievessheseestheChristfigureinchurchweepingblood:bythetimeweacknowledgeit,itsgone,buttheseedhasalreadybeenplanted.Rarelyinagenreproductionhastheuseofcolourandbackgroundbeensoimportantoreffectiveincreatingauniformityofmood. IStartCountingisasnear-perfectanendtoadecadeasonecouldhopefor,andexactlythekindoffilmpeopleshouldbemakingnow-whichis,ofcourse,exactlywhytheyneverwill.Agenreessential. byD.R.SHIMON@lounge.moviecodec.coddd

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新年的钟声即将敲响，女教师娜斯佳的家中迎来了三位老人，他们都是按照娜斯佳刊登的寻亲启示来这里找失散多年的女儿的。于是，在这个飘着雪花的温馨夜晚，发生了一个动人的故事…eee

FernandoDiLeo's"MilanoCalibro9"isanout-and-outmasterpieceofItalianCrimecinemaand,inmyopinion,oneofthemostastonishingcrimestoriesevertold.ThefirstfilminDiLeo'sexcellent'Milieu'trilogy,"MilanoCalibro9"wasfollowedby"LaMalaOrdina"(aka."Manhunt",also1972)andthebrilliant"IlBoss"(1973).Thethreefilmsarenotconnectedstory-wise,butallthreeareexcellent,andhighlyrealisticportrayalsoforganizedcrime.AsfarasIamconcerned"Manhunt"is(allthoughexcellent)slightlyinferiortothisoneand"IlBoss"whichbothstandoutasabsoluteall-timehighlightsofcrimecinema."MilanoCalibro9"isthebestofthemall,afilmthatisastonishinginallaspects,beittheingeniousplotthat,apartfromacompellingstoryandclevertwists,includessocialcriticism,theperformances,thegrittyatmosphereandsuspenseorthebrilliantscore.IcanhardlyfindtherightwordstoexpressmyadmirationforthismasterpiecewhicheasilyranksamongthegreatestGangsterflickseverbroughttoscreen. GastoneMoschinstarsasUgoPiazza,atoughandellipticalex-convictwhohasjustbeenreleasedfromprison.Immediatelyafterhisrelease,UgoisapproachedbymembersoftheMilanmobleadbytheirasciblegangsterRocco(MarioAdorf),astheysuspecthimtoberesponsibleforthedisappearanceofalargesumofmoneybelongingtotheirboss,anAmerican(LionelStander)whocontrolstheorganizedcrimeinMilan... "MilanoCalibro9"isafilmthatdeliversanastonishinglyrealisticmoodoftheunderworldlikehardlyanother.Theintriguingstorylinegoesinhandwithinterestingcharacters,rawatmosphere,suspenseandbreathtakingaction,socialcriticismandbrutalviolence.Thefilmissimplystunningfromthebeginningtotheend,whichisevenintensifiedbythebrilliantscore,acollaborationofthefamouscomposerLuisEnríquezBacalovandtheItalianProgressiveRockbandOsanna.UgoPiazzamustbeoneofthemostcharismaticgangstercharacterseverincinema,andGastoneMoschinwastheprefectchoicefortherole.Moschindeliversabrilliantperformance,andtherestofthecastisalsogreat.MarioAdorfisirasciblelikearabiddogastheferociousgangsterRocco,arolethatfitshimlikeaglove.ThegreatLionelStanderfitsperfectlyinhisroleoftheAmericanMafiaDon. ThetwocopcharactersinthefilmareplayedbytwoofthegreatestregularsofItaliangenre-cinema,LuigiPistilliandFrankWolff(whocommittedsuicidebeforethefilmwasreleased).TheravishingBarbaraBouchetisastonishingandincrediblysexyintheroleofUgoPiazza'sstrippergirlfriend.Bouchetisbothastunningbeautyandanexcellentactressandthisisdoubtlesslyoneofhermostmemorableroles.ThisisalsoapoliticalfilmanddirectorDiLeoembeddedalotofsocialcriticismabouttopicslikecorruption.Thisfilmsimplyhaseverythingonecanpossiblydesireincinema.Filmslike"MilanoCalibro9"arethereasonwhyIlovecinema.Thisisanabsolutemasterpieceinallregardsand,withoutexaggeration,oneofthegreatestCrimeflicksevermade!Theingeniousopeningscenealoneismorememorablethanmostfilmsgetintwohoursccc

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在他的爱妻去世后，心里不平衡画家本认为自己是文森特·梵高的转世，于是他挖出她的尸体-与他的恋尸癖管家的帮助下-将其带回给他的城堡，并用它赋予“灵感”。很快他就遇到一位美丽的音乐家，她的长相相酷似他已故的妻子，他将她带回自己的城堡。然而，她最终发现了他们的秘密：管家杀害了这个年轻女子并用她的尸体的血液当作他们“生命的色彩”-艺术家的颜ddd

安娜是一个离了婚的单身母亲，她请了年轻的小保姆丽兹照顾她的两个孩子，她不久就发现丽兹有吸毒的问题，而且后者和男人的关系也很随便aaa